Tuesday 30 May 2017

Odeon Film AG, DE0006853005

Odeon Film AG: Vorabbekanntmachung über die Veröffentlichung von Finanzberichten gemäߧ 37v, 37w, 37y WpHG

Read More



source http://www.droidsandewoks.com/odeon-film-ag-de0006853005/

Sunday 28 May 2017

Snoop Dogg debuts autobiographical film

La, April 30 (IANS) Rapper Snoop Dogg has debuted his autobiographical movie “COOL-AID: The Movie”, which chronicles his existence as well as the critical moments that caused the rise of his songs empire. The film, released on Friday is a reflection of Snoop’s…

Read More



source http://www.droidsandewoks.com/snoop-dogg-debuts-autobiographical-film/

Wednesday 24 May 2017

Friday 12 May 2017

Kardashians to film reactions to Caitlyn Jenner special

Kardashians are apparently outraged by the strategies of Caitlyn Jenner to out the family strategies, they may be about to film their response for the coming Keeping Up With The Kardashians show.



source http://www.droidsandewoks.com/kardashians-to-film-reactions-to-caitlyn-jenner-special/

Sunday 7 May 2017

‘One Thousand Ropes’: Film Review

Child birth becomes a strong boat for renewal in ‘1000 Ropes’ a deeply felt play in regards to a Samoan combatant atoning for the violence that exiled him to isolation and broken up his household.



source http://www.droidsandewoks.com/one-thousand-ropes-film-review/

Thursday 4 May 2017

Police officer charged for film of him smashing windscreen

The movie, filmed by the motorist in Camden in September, purportedly reveals the Computer Joshua Savage while a co-worker watches found the furious confrontation.



source http://www.droidsandewoks.com/police-officer-charged-for-film-of-him-smashing-windscreen/

Wednesday 3 May 2017

Monday 1 May 2017

Achcham Yenbadhu Madamaiyada: Why Gautham Menon’s film is a disappointment : STANDPOINT, News

With 16 pictures in his filmography and 15 years of expertise, Gautham does not have have a ‘poor’ one. He ran in to lots of controversy when the experimental movie Nadunisi Naaygal (2011) reach the displays. Though it’d tell-tale characteristics of Alfred Hitchcock’s Psycho (1960), the movie didn’t impress the critics and audience. His Neethanane En Ponvasantham (2012) overly faced lukewarm response from your crowd. On the other hand, the aforementioned movies aren’t unquestionably movies that are awful per se. 

Amid all arguments, Gautham Menon’s Achcham Yenbadhu Madamaiyada is ultimately in theaters and has opened to excellent reaction from audience and critics. That said, the movie comes as a letdown for the conventional Gautham Menon lovers (types who use Kada/Kappu).

FILM REVIEW: Achcham Yenbadhu Madamaiyada

In the event that you grinned seeing the scene in Kaakha Kaakha (2004) where Maya tells Anbuselvan, “Itis a woman thing. Ungaluku puriyadhu (sic) (You won’t get it),” subsequently AYM will encounter as a disappointment for you. In the event the scene in Vaaranam Aayiram (2008), in which Surya states, “I Will come in to your daily life and sweep you off your toes,” got you blush, afterward AYM will get you scowl. In the event that you laughed throughout that sly scene in Vettaiyaadu Vilaiyaadu where Raghavan states, “Naan Telunga irundhalum kaapathirupen (sic) (I would’ve saved even in the event that you had been a Telugu) AYM is not really your cup of tea.

Within an alternative view, film is strong for an man. The room that is dark re-live these moments that one sincerely overlooks, weep, grin and makes you laugh. Mani Ratnam continues to be lauded for bringing back the nostalgia for the ‘ 80 individuals. However, for a ’90s child, it’s Gautham Vasudev Menon who did that.

One typical run in the movies of Gautham Menon are these minutes that are indescribable. Be the final text or it your first love out of your ex-husband, Gautham’s oeuvre is outlined with these stages of life. He does not always tell the same-old Rama-killed-Ravana narrative, but say, the trip of Surpanakha, who functioned as a driver between Ravana and Rama.

Additionally, Gautham continues to be criticised for following a set template in pictures. His characters are typecast, the movie is going to have track about the dad character in visibility, love, and always a heroine that will succumb to her accidents.

Despite realizing the intimacy of his figures, we (supporters) flocked to the theaters primarily to relive those times; those minutes.   

Gautham’s introduction movie Minnale (2001) was a tremendous success when it launched. (United Nations)Arguably, the Tamil movie along with the Hindi model Rehna Hai Tere D-Il Mein equally like a cult-following. Nevertheless, Gautham broke from his mould and created a market together with his policeman thriller Kaakha Kaakha (2004).

About 10 minutes into Kaakha Kaakha, the movie had the crowd half-lift their brows. It maybe not only released the hero Anbuselvan lying in a pool of blood, but also used voiceover as a narrative apparatus through the picture. In a few ways, it was additionally the beginning of a filmmaker that is fashionable. Gautham hasn’t stopped to make use of voiceovers as a strong instrument for story.

He was criticised because of this original little additionally. However, is not that the human brain works?

About Gautham Menon is that not one of his movies, what is mo-Re baffling, aside from Kaakha Kaakha Minnale and Vettaiyaadu Vilaiyaadu, were an out and out money-spinner in the box-office. He gets a thumbs-up from critics, he acquires the hearts of the crowd, however, neglects in the boxoffice to mint money.

To get a Gautham Menon movie, Achcham Yenbadhu Madamaiyada was disheartening without these hardhitting minutes. As an example, in Vinnaithaandi Varuvaaya, Karthik’s misery was relatable when he claims, “Ava fronta vida ava backa thaan athigama paathen (sic) (I mainly saw her back). In reality, I had been expecting AYM would have some thing of the kind, but it did not.
 
you can feel how much Gautham h-AS undermined himself when the direct actors Simbu and Manjima Mohan simply take a U turn to accept a crime syndicate headed by Ba Ba Sehgal. We are quite confident that Gautham should have laughed aloud when he composed the climax of the movie. The outrageous climax looked like he was taking a dig at advertisement film.

The point about Gautham Menon is that almost all of his movies do what very simple does. His policeman trilogy – Vettaiyaadu Vilaiyaadu Kaakha Kaakha and Yennai Arindhaal are composed so poetically they allow you to forget the genre of the movie. Gautham’s movies finish before the 1st half sinks in.

AYM, despite having a run time considerably shorter than his early in the day movies, did not even look like a Gautham Menon function.



source http://www.droidsandewoks.com/achcham-yenbadhu-madamaiyada-why-gautham-menons-film-is-a-disappointment-standpoint-news/